Artist Michael Dillon, based in Crabapple, Georgia, is known for architectural ironworks and distinctive sculptures. He created “Ascension” for the
Duluth Gateway Art Project with the financial support of AGCO, an agriculture industry conglomerate.
The best pictures I saw of “Ascension” were in a
gallery by Violet Key, a photographer in
Suwanee, GA. She has some very creative frames taken a few moments before the
official presentation of “Ascension” on 4/19/2014.
My idea was to think up new settings or ways to
display this piece such as inserting humans into the frame, and twilight and
strobist treatments. This blog is about
my first attempts.
According to the Photographers’ Ephemeris (above), the sculpture is
oriented NW (the tail) to SE (the head) by the major axis of the elliptical roundabout. This means the tail can possibly catch direct
sun for a few minutes at dusk and light up the rusty plow and highlight shiny
surfaces.
I wasn’t very successful with that sun on this first trip, but the roundabout is a great place to lurk. As the sun faded, I tried to catch cars and passengers negotiating their turns.
After dusk I used two strobes
with small softboxes to light the underside.
The Nikon Creative Lighting System allowed
me to vary power settings remotely however I often was at full power. I was the only person available for moving
& testing the lights in each set-up. A better solution would involve two assistants,
more powerful lights, booms & stands, power, money…..
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